Crypto Reacts To The NFT NYC Conference: The Bad And The Ugly

· 3 min read
Crypto Reacts To The NFT NYC Conference: The Bad And The Ugly

The more than 15,000 attendees had a chance to hear from over 1,500 speakers in historic venues across New York City. A CryptoPunk digital art non-fungible token displayed on a digital billboard in Times Square on May 12, 2021 in New York City. The image is part of Save Art Space's "Pixelated" public art exhibition.
Frankly, not all of the paths seem to be the most appealing ones, but only  time will tell. If necessary) to attract the attention of investors and to introduce 10 of our ecosystem projects. Hot Dougs is an NFT collection featuring 6,969 editions of “Doug”, an endearing hot dog living in a world of hungry humans.
BAYC, one of the most successful NFT projects in the game, took over Chelsea Piers in Manhattan for ApeFest, an exclusive, four-day event that first kicked off last year. A handful of celebrities – including Amy Schumer, Lil Baby, Future and Timbaland – made appearances. Despite a recent plunge in the crypto market, thousands gathered in New York City earlier this week for the fourth annual NFT.NYC.
If  apes nft  served as the conference’s would-be head, its body extended far beyond the confines of Times Square–which was plastered in advertisements from Web3 companies. NFT NYC sprawled across Manhattan and into the city’s outer boroughs. The so-called satellite events that companies could host on their own felt instead like the convention’s main pull, and sent attendees constantly ping-ponging from Midtown to Brooklyn and back as the week went on. Maybe we’ve gotten bored of interacting with fellow NFT enthusiasts from the comfort of our personal computer screens, but it seemed all were throwing caution to the wind when it came to in-person meetups. From  what nft  to packed-out music events , it was clear that social distancing has become an antiquated notion.
But the week could’ve also been seen as a chance to gauge the temperature of the entire crypto community, which seemed as optimistic as ever, even as their wallets have grown dramatically thinner. Young believes CryptoPunks, as well as on-chain generative art such as Autoglyphs or Art Blocks collections such as Squiggles, Fidenza and Ringers, may appeal now more than ever to traditional art collectors given  the adverse market conditions. $60,000 for a Punk is “all of a sudden actually affordable” to fine art collectors, Young said. Dylan Bushnell, the vice president of game design for publisher Atmos Labs, spoke about the need for horizontal integration and the value of customization in blockchain gaming. When it comes to digital identity, Danny Greene, the general manager of the MeebitsDAO, believes that identity is “not monolithic,” but rather fluid. “Expressing ourselves in the metaverse is distinctly different from the experience where ingrained prejudices have a direct impact on how one is perceived,” he said.
Bored Ape Yacht Club hosted the members-only ApeFest jamboree at Pier 17 with appearances from comedian Amy Schumer and performances from rappers Eminem and Snoop Dogg, who also premiered a music video featuring their BAYC avatars. Bitcoin news portal providing breaking news, guides, price analysis about decentralized digital money & blockchain technology. “Many have said to me, ‘Why don’t you go to Austin or Vegas? Other projects — like Cool Cats, Deadfellaz and Doodles — had their own events and experiences across town. Some of the events were organized solely by the community and allowed only those with NFTs of specific rarities. The web3 space has a lot to learn about properly organizing events.
While large numbers can be impressive for headlines, they can be a logistical nightmare for a conference. If 2021’s NFT.NYC was difficult to navigate and decide which events and talks one might attend, this year was near impossible. Everyone would have to pick and choose who they would see, and in doing so, decide who they would miss out on. We will be highlighting the local builders and bringing our international community together.
This hybrid in-person and virtual salon will reflect on the history of art and technology over  the past 50 years, while also presenting new tech experiments. There will be an installation and performance by John F. Simon based on the existing NFTs in the Every Icon NFT series, which is based on the artist’s web-based software art, work first released in 1997. A leisurely stroll through Times Square earlier this week supplied strong evidence that NFTs have made it to the front page of American culture. One couldn’t walk more than a hundred paces before looking up and seeing an ad for an NFT project or a blockchain company.